So many on the left seemed perpetually trapped in the past, usually in the 1930s, '60s, or the 1970s, but recently, Jonah Goldberg spotted the slightly more recent epoch that has made Barack Obama so bitter:

There’s always been a certain cultural lag time to Barack and Michelle Obama, a kitschiness that’s hard to pinpoint. But I think I’ve got it: They’re self-hating yuppies straight out of the 1980s, which were to the Obamas what the 1960s were to the Clintons.

For those too young to remember, “yuppie” was shorthand for young urban professionals — think Michael J. Fox as Alex P. Keaton in the TV series “Family Ties” — who allegedly represented the collapse of ’60s values and the triumph of ’80s greed. Yuppies sold their souls for a BMW and a condo.

Ironically, the biggest complaints about yuppie materialism came from self-loathing liberal yuppies — like the Obamas.

The Obamas still seem stuck in that time warp, clinging to ’80s-style resentments and political assumptions. Michelle Obama is never so eloquent as when she’s complaining about the burden of student loans for her two Ivy League degrees and covering the high cost of summer camp and piano lessons for her kids on her family’s half-million-dollars-a-year income.

“Don’t go into corporate America,” she exhorted low-income working mothers in Ohio in February, even though she is a highly compensated hospital executive. She admits to being consumed with “a constant sense of guilt” over having to balance work, politics, and family. “It’s guilt, feeling guilty all the time.”

It’s telling that for the Clintons, JFK defined politics, but for Obama, Ronald Reagan is the role model. Last year, Obama admitted to admiring the Gipper’s “transformative” leadership (though not his policies). Indeed, not only did Reagan restore confidence in the nation while reducing confidence in government, he put a stake in the heart of the “Vietnam syndrome” and the blame-America-first ethos of the Democratic Party. The Reagan Revolution moved the country durably to the right — so much so that even Democrats saw the writing on the wall. Obama wants to erase that writing.

And as Abe Greenwald of Commentary writes, so does someone else with a Brilliant Disguise, whose artistic career peaked just before the decade the Gipper made:

It’s true that Obama speaks to the America Springsteen usually writes about. But I’m not sure what he’s referring to in this description. Springsteen’s America is a soot-covered wasteland of junked cars, violent townies, shotgun weddings, racist cops, closed factories, and endless unemployment lines. If you think Obama was tough on small town mentalities, consider the lyrics of Springsteen’s “Born to Run”:

Baby this town rips the bones from your back
It’s a death trap, it’s a suicide rap
We gotta get out while we’re young
‘Cause tramps like us, baby we were born to run

* * *

When, in 1980, Springsteen wrote...

I got a job working construction for the Johnstown company
But lately there ain’t been much work on account of the economy
Now all them things that seemed so important
Well mister they vanished right into the air
Now I just act like I don’t remember, Mary acts like she don’t care

...who could blame him? It was less than a year after Jimmy Carter had gone on television and made a speech diagnosing the country as clinically depressed and spiritually bankrupt:

In a nation that was proud of hard work, strong families, close-knit communities, and our faith in God, too many of us now tend to worship self-indulgence and consumption. Human identity is no longer defined by what one does, but by what one owns. But we’ve discovered that owning things and consuming things does not satisfy our longing for meaning. We’ve learned that piling up material goods cannot fill the emptiness of lives which have no confidence or purpose.

The symptoms of this crisis of the American spirit are all around us.

Springsteen took the nation’s pulse and wrote about it. The problem is that his sense of America–forged during the Carter years–has not changed since. Sure, he came out with an inspirational post-9/11 album. But that came and went as fast as Yasir Arafat’s blood donation to the victims.

Springsteen said in his Obama letter: “After the terrible damage done over the past eight years, a great American reclamation project needs to be undertaken.” But it’s hard to imagine what exactly he wants to reclaim. The last time Springsteen’s lyrics reflected any consistent sense of romance and adventure in connection with America was during the Nixon years. Personally, I’d love to see him make music like that again. But somehow I don’t think that’s what he’s getting at.

Sadly, as Slate of all publications once noted, Bruce's second manager, Jon Landau, who went from Rolling Stone critic to rock Svengali, took that Springsteen away from us, transforming Bruce in his formative years from an exciting quirky apolitical musician to just another leftwing product on the showbiz assembly line.

(And speaking of Slate, nice of them to create a fun anti-Obama ad, which will have a little traction even after this week's PA primary has passed.)