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Television And "The Very Special Lesson Cesspool"

Andrea Harris writes that although she's never watched 24 (truth be told, neither have I), "I just think it’s a shame that yet another apparently hard-hitting and gritty show is going to be shoved into the Very Special Lesson cesspool — as well as months of having to endure television commercials on how we should teach our kids not to hate anyone — really, including, say, pedophiles who rape and kill children?"

But it’s always been like this. Dealing with what our so-called entertainment media sees fit to serve up to us here in the US of A has always been an exercise in torment for anyone who thinks that art should not take a back seat to teaching five-year-olds how to share their toys. Unfortunately to get into power in this country (and probably others, but I know my own country the best so I’ll just focus on America right now) you have to be the sort of person who really believes that the rest of the nation is comprised of toddlers clutching their dollies stubbornly to their chests. I don’t think I have to give any examples, do I? Just think of the upcoming election, or look at the night’s television schedule. The media, of course, is part of the powers that run this country. Back when I was young the problem was an entertainment industry hamstrung by the need to be “proper” according to the standards of no later than twenty years previous. In the Sixties and Seventies that meant the Forties and Fifties was the touchstone of progress, and Depression-era decorum was the norm, which meant only women on TV wore white gloves and hats when they went outdoors. Today, in the supposedly progressive first decade of the 21st century, our Baby Boomer-run media empire has stalled in those halcyon days when women considered themselves “emancipated” if they were living with bearded stoners, being called “my old lady,” and serving mushroom tea instead of coffee to all the bearded stoner’s bearded stoner pals. There have been a few attempts to crawl at least into the Reagan era, but for the most part we’re stuck in the commune, and the natives are no more tolerant of “different” viewpoints than the squares of Eld were.
Maybe a big reason why television executives feel the urge to make their programming as childlike and condescending as possible is that they base their assumptions regarding America as a whole from daily observations of a remarkably dysfunctional talent pool.



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