Ed Driscoll.com Ed Driscoll.com
Hollywood: The Little Shop Of Horrors
By Ed Driscoll · April 10, 2007 10:16 AM · Hollywood, Interrupted

A month ago, I described the trailers that preceeded 300 thusly:

With the exception of Spider-Man 3, virtually all of the innumerable trailers yesterday before 300 highlighted Hollywood's current phase: dank, gross, low-budget nihilistic horror films, and, in a very similar genre, the latest effort by Quentin Tarantino, which featured the disgusting image of a buxom young woman whose leg is amputated and replaced with a machine gun, which she alternately walks on and fires at the baddies (baddies being a relative term in a Tarantino movie, of course) by crouching in some sort of kung fu-style pose spraying bullets upward. (No, really.)
In their latest issue, Newsweek writes:
Over the next few months, Hilary Swank, Halle Berry, Nicole Kidman and Renée Zellweger—all of them Oscar winners—will topline scary movies. "Grindhouse" features Bruce Willis ("Planet Terror") as well as Rosario Dawson ("Death Proof"). Luke Wilson, known for boyish comedies such as "Old School," will appear on April 20 in "Vacancy," a shocker about a couple marooned with a psycho at a backwater motel. Next month Ashley Judd will star in a movie about flesh-eating bugs. The title: "Bug." Horror has been the trend du jour for a while, but it was largely confined to the industry's fringe. Now Hollywood has turned into Horrorwood, and the reason is simple: money. "People want to be part of movies that are successful—sometimes it's as simple as that," says Joel Silver, producer of Swank's "The Reaping." "And lately these movies have been very lucrative."
In the late 1970s, George Lucas and Steven Spielberg saved a Hollywood bent on collectively auguring itself into the ground by dusting off the 1930s Republic serial, and spiffing it up with big budgets and cutting edge special effects. 20 years later, it appears that having nearly driven moviegoers away once again with a similar collection of dark, cynical highly politicized movies, Hollywood's latest attempt to save its collective keister involves dusting off the low rent spirit of Roger Corman and William Castle.

As I said last year...


Since 2002, News, Technology and Pop Culture, 24 Hours a Day, Live and in Stereo!

(And every Saturday on Sirius XM Satellite Radio.)

What They're Saying

"Ed Driscoll: cultural journalism for the twenty-first century!"--Brian Anderson, City Journal magazine


Navigation
Weblog
Ed TV
Podcasts
Articles
Essays
Interviews
Links
About Me
FAQ
Photos

Home

Support the Site

Search



Archives
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
November 2007
October 2007
September 2007
August 2007
July 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
November 2006
October 2006
September 2006
August 2006
July 2006
June 2006
May 2006
April 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
August 2005
July 2005
June 2005
May 2005
April 2005
March 2005
February 2005
January 2005
December 2004
November 2004
October 2004
September 2004
August 2004
July 2004
June 2004
May 2004
April 2004
March 2004
February 2004
January 2004
December 2003
November 2003
October 2003
September 2003
August 2003
July 2003
June 2003
May 2003
April 2003
March 2003
February 2003
January 2003
December 2002
November 2002
October 2002
September 2002
August 2002
July 2002
June 2002
May 2002
April 2002
March 2002

Etcetera


Bookmark Me!

Blogroll Me!

Steal This Button!

Syndicate this site (XML)
Podcasts Feed

AddThis Feed Button

AddThis Social Bookmark Button

Our Podcasts' Apple iTunes Page

Powered by
Movable Type 3.35

Site design by
Sekimori

Copyright © 2002-2008 Edward B. Driscoll, Jr. All Rights Reserved