21st Century Music Making
The old restrictions in technology forced us to do things right. It forced us to have to make decisions. It forced us to spiritually be so in tune with the other people that magic had to happen. It made you step up to the plate, whereas now, when I go to play on someone's record I feel uncomfortably free-and I almost hate that. I can actually play on a record all day long and do ten different solos and take all these different approaches to the rhythm and all this kind of stuff. And then the producer has to look at all this work like a film-they have to go back and edit and figure out which bits they want to use. Whereas in the old days, when a person hired me to work on a record, I had to get it right, right there. You had to play great, you had to be smokin', and there was no way that they could fix it and make it better.And speaking of which, I have an article in the August issue of Nuts & Volts on Roland's GI-20 interface, titled "Shut Up And Play Your Computer!". The GI-20 allows any guitar with a Roland guitar synthesizer pickup to drive a myriad of software synthesizers via the PC's USB port, opening a realm that was heretofore almost entirely the exclusive province of keyboard players.
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Ed Driscoll knows small business, financial planning, career counseling, home theater, technology, markets, double-breasted suits, and blue hats. But what he really likes to do is produce the "Blog Week In Review"--Pajamas Media ad, 7/06
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